Author Archives: E. C. Ambrose

About E. C. Ambrose

I spend as much time in my office as I possibly can--thinking up terrible things to do to people who don't exist.

Cover Reveal: Elisha Rex!

And title reveal, too, I guess!  You can probably see why I’ve been keeping this title pretty close, but since it’s time to show off the cover, here goes! Once again, artist Cliff Nielsen has captured the spirit of the … Continue reading

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Steve Bein, Author of the Fated Blades series

Joining my occasional series of author interviews today I’m hosting Steve Bein, who writes the Fated Blades novels, contemporary fantasy thrillers set in Japan.  The latest title, Disciple of the Wind, just came out this week!  As a Kurosawa fan … Continue reading

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The Truth about Bird-brains, Crows and Fantasy

I was delighted to see this video recently on the Huffington Post about a girl who, after feeding the crows in her yard for years, has started receiving gifts from them in return.  Elisha Magus (now out in paperback) features … Continue reading

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Satirists, Lost and Found

Last week was an interesting one in the realm of satirical literature. It brought us word of the sad passing of a modern master, Terry Pratchett, author of the Discworld novels, and also of the re-discovery of the grave of … Continue reading

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Ancient Aliens vs. Good, Hard Work

While recovering from recent illness and exhaustion (and under duress by another family member) I wound up watching a couple of episodes of a program designed to convince us that many of the great ancient monuments of the world were … Continue reading

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Defense Against the Dark Arts: Warding off Witchcraft

This month’s Archaeology magazine has some photos from Knole House in Kent showing a series of hatch marks carved into the floor beneath where the protestant King James I would have slept in the early 1600’s.  The marks are intended … Continue reading

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Finding a Balance: Cultural Appropriation and Under-representation

Writing fiction has lately become a bit of a minefield where, if you write about another culture, you risk charges of appropriation, and if you fail to include representatives of other cultures, then you are exclusionary. I have always operated … Continue reading

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